case study

Heather Marsh, Chair of Wetherby Choral Society, describes how her group worked with the Royal National Lifeboat Institution for their mutual benefit and that of the wider community. 

Sophie Anderson, Publicity Officer of Sheffield Philharmonic Orchestra (SPO) tells us how the orchestra has managed to successfully diversify its repertoire.

Background

Formed in 1945, the SPO is Sheffield’s oldest leisure-time orchestra, with over 80 members from across the Sheffield city region and beyond. We endeavour to present high-quality, well-attended concerts that engage regular concert-goers, and actively seek to increase exposure to classical music by working with the local community.

We hear from groups about how they have managed to put on risk-assessed, COVID-secure performances for their audiences.

Laura Mackay and Frank Althaus of Petros Singers tell us how they livestreamed their Covid-secure in-person rehearsals to members who were unable to attend in person.

Musical director of St Helens Ladies’ Choir, Patricia Lewis, describes her journey from having very little technological knowledge to running her choral group on Zoom during the pandemic.

Background

After early retirement from running a busy school music department and working with operatic societies, in 2011 I started a daytime weekly ladies’ choir in St Helens where I live. Many of our members do not read music and were technically inexperienced. From within the big choir we have a smaller choral group which also performs separately.

Alison Martin, chair of Crieff Choral Group, outlines how choir members got to grips with a new conductor during the first Covid lockdown. 

Background

Last year, all choir members attended our penultimate pre-lockdown rehearsal for our spring concert scheduled for 29 March 2020. It was going to be our last performance with our retiring conductor of 18 years, Peter Rutterford, and retiring chairman, John Drummond, who had served on the committee for 20 years. 

We hear from groups about how they have managed to put on risk-assessed, COVID-secure performances for their audiences.

Putting on a COVID-secure performance: Norwich Chamber Music  |  Putting on a COVID-secure performance: Witney Music Society

We hear from groups about how they have managed to put on risk-assessed, COVID-secure performances for their audiences.

Putting on a COVID-secure performance: Grayshott Concerts  |  Putting on a COVID-secure performance: Witney Music Society

We hear from groups about how they have managed to put on risk-assessed, COVID-secure performances for their audiences.

Jonathan Gillams, chairman of promoter group Radlett Music Club, tells us about their experience hosting an interactive Zoom concert.